story

Grief and Story

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I want to talk for a moment about something not writing related. Or maybe it’s tangentially related. I want to talk about grief.

One of my friends lost her brother-in-law (BIL) last week. She and her husband rushed to be by her sister-in-law’s (SIL), to help with the details while her SIL could just exist. And that’s all she was able to do in those moments. Exist. Now my friend is home and she’s experiencing the grief she held at bay last week while she was doing for her SIL.

Death is a bastard who steals from us. Rips apart pieces of our soul that it will never give back. Death’s sister, Loss, is a right bitch who mocks the pain of damaged expectations, hopes, and dreams. Together, Death and Loss try strip us of our dignity and send us into a dispair so deep we may never climb out. Death and Loss taunt us and tell us nothing will ever make us feel whole or hope again. Nothing will ease the pain of grief.

And yet grief is not our enemy.  Grief is a necessary process when we face Death and Loss. It is the probably the only thing that preserves our dignity and keeps us from languishing in that deep pit. Death and Loss aren’t lying, not completely. Our lives will never be the same when we experience death and loss, be it the loss of a person or a dream or anything in between. The trajectory of our lives change with each and every loss, and nothing will make our lives the same.

But grief does something that helps us move through these changes. It allows us to process the pain loss brings. It helps us to eventually make if not peace, an uneasy alliance with the absence death has created in our lives. It gives us purpose. It helps us walk forward step by shaky step.

We don’t talk a lot about grief in our very white and very western society. We don’t discuss the loss of dreams or the pain of lost opportunities. We barely talk about losing family and friends and what that pain does to us, how it rips out pieces of our souls that we can never get back. As a culture, we don’t like talking much about existential pain at all. And yet we all experience it. And sometimes we live inside that pain for the rest of our lives.

My friend may experience grief for years. Her BIL’s death was sudden and unexpected. There was no time to psychically or spiritually prepare. Her grief is a profound thing that needs to follow it’s own path. And we need to let it. Forcing her to follow Kubler-Ross’s five stages of grief would be a disservice to her process. Telling her that time will heal what is broken inside her would be a potential lie meant to make us feel better, not her.

Here is where I circle back to writing. Where there is Death and Loss, there is also Story. Story is how we process grief. Story is how we keep our loved ones alive. Story is how we work our way through those lost dreams and dead opportunities. Story can be private, something we share only with our journal as we scribble longhand with pen and paper, or something we share with the world in the form of blogs, novels, poetry. Story is what we share with our therapists, or what we discuss with our friends over coffee.

Story is the universal language of grief, and when we pick up a novel or a biography where a character experiences the same loss we have, suddenly we are not alone with our grief. The world has become smaller and our experiences no longer take place in a vacuum. We need these stories, not because they are heavy and laden with dispair, but because they are heavy, laden with dispair, and open a doorway to hope, because they hold a shared experience. And it’s that hope that helps us move forward.

 

Revision Angst

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I’ve been revising my novella (which is turning into a short novel) for what feels like forever. In reality, I’ve been revising my novella since December. And only in fits and starts because of health, holidays, vacations, and dog drama.

I’m not new to revision work. I’ve self edited several of my own (still unpublished) novels and I’ve revised based on critique partner feedback. What’s new with this particular story is that I’m working with a developmental editor and instead of just a few tweaks here and there, I’ve taken the bones of the story and am reassembling everything else around that. I’m adding scenes, fleshing out or drastically altering others. I’ve added screen time for some characters and I have cut out a character entirely.

When I started looking at ways I could incorporate my editor’s thoughts and suggestions, I thought it would take me a few weeks, a month tops.

Excuse my while I laugh hysterically into a pillow.

I have beaten myself up A LOT over the fact that it is now the end of April and I have not finished the rewrites or returned anything to my editor. In fact, I’ve had to work with her to push back when I’m going to get my revisions to her no less than three times. Which was another reason to beat myself up. She’s never complained, bless her. But I like meeting goals and deadlines and feel like total and utter shit when I don’t.

I blame being an eldest child, having a high drive to succeed, and having been a project manager in corporate America for these beliefs. I put so much pressure on myself to do better than my best, and that’s a really difficult way for me to live. It also makes me second and triple guess every character and plot decision I make. And right now I’m hesitating on every detail. Honestly, I feel like instead of making this story better, I’m making it into more of a hot mess.

In other words, right now I feel like I am only pretending to be a writer and that at any  moment someone is going to call me on my total ineptitude and let the world know that I am not a writer, never was a writer, and never will be a writer.

How do I stop this loop? I’m not sure, completely. I’m taking a course that’s helping me to figure out how my personality informs my writing. Not the stories I tell, but how I go about organizing the writing itself. It’s been enlightening. But information alone won’t turn this around. I need to actually do. I need to keep writing. Keep learning where my pitfalls are. Keep getting feedback so I can improve.

It’s a process, and as much as I want to get things perfect, there is such a thing as good enough for now. It hurt just writing that, but it’s true. Maybe if I push this weekend to get to the end (again), I can have something good enough for this pass. My editor can’t help me if I don’t turn anything in. My book can’t improve if I don’t get feedback. I can’t publish if I never hit “The End”.

Time to take a deep breath and dive in again. I’ll see you on the other side.

Of Rabbits and Writing

Hare - RIAT 2013

I haven’t shared any snippets of my fiction writing on my blog, which hasn’t been intentional. It’s more that I don’t like to share my work until it’s polished and up until the novella I’m working on, I haven’t worked with an editor to polish anything.

Earlier this fall, Lime of the A Little Bit Tart, A Little Bit Sweet book review blog, put out a call to writers to participate in a secret project. I was intrigued, and needed a break from the novella that will not end, so I threw my name in the hat. When Lime emailed me back in August with the details, I snorted, then laughed so hard I startled poor Velcro Dog.

Lime’s secret project was brilliant! Write a short story of 500 words or more based on the prompt she provided – a picture of a hare high tailing it across a parking lot with an unlit cigarette in it’s mouth. Oh, and the story had to be about a hare shifter. A were-hare.

This story was so much fun to write! It isn’t polished, since I didn’t have anyone proof read it. But it is funny and snarky and full of cursing. And were-hares. Plus a Bunnicula reference or two.

If you’re curious about my writing voice, this short story will give you a small taste. Content warning for swearing, if that’s not your thing.

The Night of the Were-Hare by me!

 

Photo by Airwolfhound via Flickr (CC BY-SA 2.0)